Weird Stuff

Fantasy. Horror. Science Fiction. The surreal, the uncategorizable.

You’ll find them all here, in Weird Stuff.

Just so you know

- these pieces tend to be a little longer.

Not the End of the World

‘(What’s So Funny ‘Bout) Peace,

Love and Understanding?’ was on the radio

When the flying saucer landed

In the field round the back of our house

A ramp unfurled under the craft like a rug

Crushed the wheat beneath it with a whisper

Impossibly tall, beautiful, bright blue people

Catwalked down like models at a fashion show

With lean-limbed ease, hairless as plastic toys

Manga cartoon eyes - and the confidence of

A centuries-old civilisation

Clearly, this was not their first

First contact

 

The DJ picked ‘Oh! You Pretty Things’ next

As Dad introduced himself and asked them if

They fancied a cup of tea or perhaps a pint

Down the Old Reunion Bar - maybe they could

Tell a story or two - he was sure they would

Have people queuing up to listen to them

But he did have a further question:

‘Not casting aspersions or owt

And it’s really flattering

That you chose us but

How come you’re not hob-nobbing

With the elites in the seat

Of government down south?

 

As ‘Walk on the Wild Side’ started

Over the airwaves, the impossibly tallest one

Bent a blue head towards my Dad

And without moving their lips

Told him ‘Our policy has evolved

Over many of your millennia

We never seek out the leaders first –

People like you know what’s happening.’

Dad couldn’t hide his glee – this was

What he’d been waiting for

As far back as he could remember.

 

‘This Town Ain’t Big Enough for Both of Us’

Was playing as Dad gave forth, in great detail

Paragraph, chapter and verse concerning

Everything he felt was wrong with our world.

The impossibly tall, beautiful, bright blue people

Folded themselves up at his feet and listened

And when he was finished, scarlet-faced

The impossibly tallest one stood up

Said something to Dad without making a soundm

And from nowhere appeared in their hand

A small, shiny black box

Topped by an equally shiny

Red button.

‘Imagine’ was the last track I remember hearing

As the impossibly tall, beautiful, bright blue people

Catwalked back up into their flying saucer

The ramp rolled back up like a butterfly’s tongue

And they zipped off silently at unfeasible speed

Leaving a perfect circle in the crops

In the field round the back of our house

Leaving Dad, looking up, and clutched in his hand

A small, shiny black box

Topped by an equally shiny

Red button.

Dad turned the radio off as they left

And made me promise I wouldn’t ever

Say anything to anyone about what

Had happened that night. He said:

‘They told me pressing this button

Will fix things forever – and who on earth

Would want that responsibility?’

Next day, Dad and me went into town

Rented a locker in one of those

Self-storage places, left the button in it

Chucked the key in what Mum called

‘the man drawer’

And never mentioned it again.

 

So, anyway, I was clearing out

My Dad’s stuff from our old house

And I hadn’t thought about what

Happened that night in so long

(Mainly because I thought I might

Have imagined it) – and in the man drawer

Together with all the odd screws

Accumulated Allen keys, rubber bands,

Picture hooks, paper clips, dead batteries

And all the things that might come in handy

There was a key to a locker

In one of those self-storage places.

 

Well, what would you do?

Falling Out With An Imaginary Friend

Jonathan had been alive

For three, maybe four years

When he fell out with Bixie

His imaginary friend

With a blue face and pointy ears

See, Bixie wouldn’t eat his broccoli

And tempers were lost

There were screams and tantrums

And Bixie stormed off at the end

Pointy ears flat against his head

Slamming every door as he went

Jonathan was incandescent, then distraught

Then inconsolable: it was all his fault

Suddenly he had a terrible thought

What if Bixie never came back?

And Mum smiled and said:

‘Would that be so awfully bad?

Maybe your room would be tidier

All the Lego might stay in its box

And you wouldn’t keep losing your socks…

Now, eat your broccoli

There’s a good lad.’

Jonathan got older, started school

Learned stuff, played games, made real friends

Practically forgot about Bixie

But this is not where the story ends

One time when the sky went dark and stormy

Jonathan ran in like the wind

Eager for wet playtime

To tease the dinner ladies

And laugh unbridled at cartoons in the hall

But he spied at the other end of the corridor

Blue face pressed up against the graph paper glass

Of Miss Washington’s classroom door

Fingers lizard splayed, eyes popping full of ire

Was it a trick of the light?

Somebody’s birthday balloon

Helium high and bobbing angrily in the breeze

Or was it Bixie the Broccoli Boy?

On the corner of the crescent

Skateboard leaning against a road sign

One foot on the low garden wall

Elbow on knee, chin on palm

Bixie is watching

In the thick of the miasmic mass of pupils

Milling and mewling and screaming and streaming

Into bland form rooms to scrap with tweedy teachers

Or duck under fast flying board rubbers

In the thick of all that comprehensive school chaos

With a dirty shirt and a tie skew-whiff

Tight as Isadora Duncan’s fatal scarf

Bixie is slowly closing in

In the concrete quadrangle at uni

Where pale and interesting goth teens

Listen disinterested to grey-jacketed bores

With unread copies of Sartre’s Nausea

Peeping out of their pockets

Where Jonathan sits reading Psychology Today

With his stinky egg mayonnaise sandwiches

In a tiffin tin his grey-haired mother bought

And sitting a person away

Unnoticed by his fellow students

Bixie is waiting for his old friend to look up

Which he does

And he recoils

Too late

As Bixie looms large

His grinning face a malevolent blue balloon

And they touch

And they both wink out of existence. 

Grandma

The Door Opened

Suddenly, and the salesman’s shoed hoof

Squirmed into the space

Between the stile and the jamb

‘I know you thought the pitch was over,’

He said, shimmying through the gap

Shiny suit shimmering

‘But I couldn’t allow you to miss

This golden opportunity.’

She couldn’t recall having had

Any sort of exchange with this weirdo

Never mind a pitch - and she was

Just about to threaten him with

The cops, or the authorities, or just violence

When Grandma bustled in

And offered the salesman

A nice cup of tea.

He’s been camped out on the settee

For weeks now - and she still doesn’t

Have a clue what he’s selling

She should have slammed the door

On his foot. But that would have upset Grandma

And everyone in the house knows

Whatever you do

You don’t upset Grandma.

The Phone Rang

And Grandma answered

She handed the handset to

The shiny-suited salesman on the settee

Said ‘It’s for you-hoo!’ And stepped back

Big-eyed and sharp-toothed

As he visibly paled, physically shuddered

Shouldered his way out of the front door

Straight into the path of an oncoming juggernaut

Which stopped, eventually.

‘The speaking clock told him it was

Time to go.’ Grandma grinned

And wolfed down a Bath bun.

‘Now, who fancies a game of cribbage?’

Grandma’s Footsteps

In the daytime

You’re struck by her surprising speed

Puts you in mind of the tortoises

You saw on holiday one time

Ambling across a hot yard

Take your eyes off one for a moment

Look back and blimey! They’re in your face

Just like Grandma

It’s funny

In daylight

But at night

Moonless, cloudless, when the stars are hiding

And streetlights have given up

Trying to brighten the road

Her speed isn’t just surprising

It’s shocking, disturbing, unreal

The last thing you want is for

Grandma’s footsteps to stop

Outside your door

Not funny

Not at night

Flaming Torches and Pitchforks

At first it was the odd pet that went missing

The odd kid crying here and there

About the rabbit that somehow escaped

Or the family cat that suddenly took off

So, no big deal, and it was like no-one

Noticed how many A4 posters of beloved

Bingos and Rovers and Pussumses

Were sellotaped to lampposts and telegraph poles

Up and down our street

But then it was the kids that went missing

And it was the parents that were weeping

As they buttonholed everyone in the neighbourhood

With photographs of their beloved boys and girls

Who had vanished as if they had never been

But there were mutterings and whispers

And tales of disappeared lodgers and

That awful business with the salesman

Mown down running from Grandma

At the end of the old horror films

The villagers chase after the monster

With flaming torches and pitchforks

But with Grandma it was blues and twos

Sirens blaring at the front and in the back yard

They weren’t prepared for her mesmeric eyes

Her razor sharp teeth and scimitar claws

She went through a dozen bobbies before

The sniper took her down

I did not make this up

This tale was told to me

On a blue boat, becalmed

On an alkaline crater lake

Near the equator in Ecuador

With slate-coloured coots

Bobbing for breakfast

Between rustling reeds

Girdling a steeply-risen

Lava loaf of an island

Home to diffident deer

Rabbity rabbits

And according to local legend

The Great Golden Guinea Pig

The Legend of the Great Golden Guinea Pig

Here’s the thing: if you happen

To spy the Great Golden Guinea Pig

Glinting like dropped Eldorado change

Through the island’s tight undergrowth

It will hold its tiny human hands up

It will grant your hammering heart’s desire

Whatever that may be

But

If the Great Golden Guinea Pig

Should rear above the islet’s

Thickset boskage, and spy

You with its auspicious eyes

Then you have to stay

Become maybe a silver grebe

Diving for tasty weeds

Dodging the sulfurous bubbles

Bullying up through the blue

From the caldera’s active guts

Sink into the drink

Become one with the lakelife

Forever

Which is best, do you think?

Untold affluence

Or

Being the balance?

I mean, in this selfish world

Nobody in their right mind

Would disclose the location

Of the Great Golden Guinea Pig

And nobody could say a word

If the Pig saw them first

All I know is

That day

I never saw so much

As a twinkle

In that endless inland sea

And as true as I’m

Facing you right now

The Great Golden Guinea Pig

Never spotted me.

Little Brown Bag

You see this little brown bag?

Feel the soft nap of the outside

The silky smoothness on the inside

Perfectly constructed, just… right

Looks perfectly normal, doesn’t it’

But…

What if I told you

This bag had certain…

Properties?

You see, this bag can end things.

Arguments?

You’re having a row with your

Partner, significant other, lover, whatever

And you know you’re in the wrong,

You’re collecting no prizes.

You know there’s no way you’re going to win -

You know that feeling? Not brilliant is it?

No! Of course it isn’t!

But what if you could capture that argument

In this little brown bag

Pull the drawstring tight and…

End it.

And you and your other half never have

A cross word together again

(You might finish a crossword together though.

That’s a different puzzle).

Meetings.

We all hate meetings, don’t we?

If a meeting can start without you

You don’t need to be there -

Agreed?

We spend more time in meetings than we do

Working

So why not slip those meetings into this

Little brown bag,

Pull the drawstring and:

Bingo!

No more meetings!

What about that doctor’s appointment

You’re not looking forward to?

That confession you’d prefer not to make?

The hospital visit you could do without?

That awful one-to-one you’ve been dreading?

That confrontation you’ve been avoiding?

The funeral you’d rather not attend?

All these dire, dreadful, horrible, heinous, appalling

Abominable events can just pop into the

Little brown bag

Pull the drawstring

Yeah, yeah - you’ve got the idea…

But

Bear this in mind

And this is not a cute little Paddington~type,

Snuffly black-button nosed little Peruvian

Michael Bond bear.

Oh no.

This is a grisly, grizzly, twenty-two foot

Pinesmashing clawfest of a man-eating bear

In your mind

Just so you don’t forget

It’s clearly pretty damned important

If you put all these bad, mad, negative thing

In this

- yes! I’m going to say it -

Magical - little brown bag

You’re only going to have

Positive things happening in your life.

Here’s a question:

Is that a good thing?

I don’t know

But I’m pretty sure

That little brown bag’s going to get heavier

And heavier

With all that detritus

That accumulated

Darkness, badness

The stuff you’ve done your best

To avoid.

Wow

That bag is going to get much

Heavier.

This is probably not a good thing

Because

Into every life

A little rain must fall

Otherwise

How on earth

Are all the flowers

Going to grow?

So what you going to do

With that unfeasibly

Not so little brown bag?

You’re joking, aren’t you?

Good heavens, as if I’d want it back!

You touched it last.

It’s your bag, baby

And

Mind that drawstring

It’s not as strong as it was

At the beginning

Oh.

Oh dear.

That’s terribly messy.

What are you going to do

About that?

The View

The View from Her Room

That morning

As she drew back

The heavy living room curtains

In their post-war, two-up, two down

On the unfashionable outskirts

Of a nondescript northern town

She was confronted

Not by a drizzle-wet queue

Of overcoated pensioners grumbling

Over the average lateness

Of the number nine bus

But by a vision of

Ethereal reds, oranges and golds

Illuminating the front room with

The dying fire of

A stunning late evening vista

Filling each pane with splendour

So she closed the curtains

Quick sharp

Breathed

Then slowly

Pulled one drape

To the left

Then the other to the right

And bingo!

A ragged line of damp old biddies

Were arguing bus times

All was as it should be

She dreamt of the sunset

That night, though.

The View From The Miradouro

That night

Zé and his amigos

Drove up the unhelpful dirt road

To the ridged spine of the Serra

Highest hill in the area

In anticipation of watching

The sun disappear, molten, into the land

Framed by the glassless window

In the roofless room of the viewpoint,

The lookout, the miradouro

Like they did most summer Saturdays.

But that night

Zé felt cold rain on his face

From a cloudless August sky

Nobody but he saw panes

Weeping tears of drizzle

In the glassless window

And behind all this

A sad-eyed woman

Pulled first one curtain to the centre

Then the other

And uau!

She was gone

Replaced by a stunning sunset vista

All was as it should be

Zé woke next morning

With her sad eyes in his mind still.

The View From Elsewhere

He was experiencing -

What was he experiencing?

Maybe a crossover

A meeting of visions

He spent a few nights

Up on the spine of the Serra

Watching her as she closed the curtains

But each night it was both

The same and different

And there was a connection

He knew they had to meet.

And she was seeing -

What was she seeing?

One day it was the most

Spectacular sunset

Another day it was a herd

Of Houdini sheep

Always finding a way out

Always gambolling home

Full of a neighbour’s herbs

But never sad to return

And in the magical cinema

Of her living room window

She saw mountains and snow

And sea and fields like

Animated maps

And cloud cover from far above

Not real but she knew

It was real

And it was as it should be

He knew her face

She was seeing his journey.

The View From The Hedge

And so one morning

On the unfashionable outskirts

Of a nondescript northern town

Zé stood, shivering and slightly damp

In his too-thin for this climate

Portuguese summer clothes

Outside a two-up, two-down terrace

Staring over the privet

At the sad-eyed woman

(Now wide-eyed) that he’d watched

Summer sunset after summer sunset

Through the glassless window

Of the roofless room

On the spine of the Serra.

They stood for a while

On either side of the glass

And all was as it should be

Until she left the window empty

Opened the front door and shouted

Across the small square garden:

‘Who the hell are you?

And why the hell are you staring at me?

Do you want me to call the cops?’

The View, last part

Zé had one question of the sad-eyed woman

Uma boa pergunta:

‘What do you see/ O que se vê

Cada vez que se olha/ Every time you look

Out the window/ Pela janela?’

And without a second thought she answered:

‘I see a sunset like I have never seen here.’

Zé laughed like an old friend, and she laughed, too

‘You see my sunset and I see you, a estrangeira.’

‘You’d better come in,’ she said, ‘But no funny business.’

‘Obrigado - I hope your coffee is better than your weather.’

The sad-eyed woman had one question

It was: what do they do now?

Meanwhile they had coffee in the kitchen

It was better than the weather

But not much.

Anyway

In the living room the curtains were open

And through them they could both see

A different vista, but nowhere they knew

And the sad-eyed woman took Zé’s hand

‘My name’s Sue, so I’m a stranger no more.’

And together, they walked into the sunset.

The Alternative 3 Man

How It Started

My manager disappeared into the stock room

Like Mr Benn’s shopkeeper in reverse

As soon as he spotted

The man in the blue parka

Approaching the counter

Asking for a copy of ‘Alternative 3’

I said I’d seen the programme

‘Very clever’ I grinned. ‘Almost convinced me -

I think we’ve got one or two copies

In Science Fiction.’

The man’s eyes widened in disbelief

Half an hour later

I understood why my manager

Had escaped

And wished I could join him

Having a crafty ciggie

In the back alley

The man in the blue parka

Was convinced that

Far from being a hoax

It was fact disguised as fiction

Masquerading as fact

He bought all the copies we had

And I thought that was it

But he left a flyer on the counter:

ALTERNATIVE 1

DRASTIC DEPOPULATION

I MEAN

REALLY DRASTIC

ALTERNATIVE 2

BUILD BUNKERS

BIG UNDERGROUND BUNKERS

HUNKER DOWN AND WAIT

FOR CLIMATE CHANGE

TO CHANGE

ALTERNATIVE 3

FLY TO MARS

VIA THE MOON

LIVE ON MARS

ESCAPE A DYING EARTH

FOR MORE INFORMATION

PLEASE RING

…And there was a number

The Meeting

In a grimly-slatted prefab village hall

Redolent of unwashed scouts and scout leaders’ feet

Under the uglifying glare of fly-spotted fluorescent strips

Before a sparse but intense audience

The man in the blue parka was transformed

He was a preacher, a teacher, a guru, a sage

He illuminated with flawless conviction

Every scene, every character on every page

Of the novelisation and declared

He was this very night

Able to provide incontrovertible proof

That Alternative 3 was not fantasy, but truth

That there really was a plan for us to travel into the stars

And then he unveiled a vivid red rose

Which he said

Had been cultivated on Mars.

The Book

In a curious reversal

The man in the blue parka

Stood behind a trestle table

Offered me a copy of the book

(One I’d sold him, no doubt)

Insisted I took it

Insisted I read it

Back at the flat

I fell asleep reading my book

Dreamt I was leaving bootprints

In soft red dust

Clutching a rose

Was woken at 6:30 by my

Crimson-eyed radio alarm clock

Blaring out ‘Space Oddity’

On some local radio show

The morning sun was a dirty garnet

The bus was late

And the whole queue

Was looking at me

As I read my book

As if it was my fault

There was a storm approaching

In the caff at work

Nobody sat with me

As I munched on my toast

And strawberry jam

And read my book

As if reading was catching

Ironic in a bookshop

Back at the flat

I fell asleep reading my book

Dreamt I was leaving bootprints

In soft red dust

Clutching a rose

Was woken by a stranger

Smoking a Marlboro

At the foot of my bed

‘We need to talk.’

They said.

Tell Me Everything

Someone confident enough to

Break into your flat

And wait for you to wake up

Is hardly going to be perturbed

If you threaten to call the police

Besides, the phone was in the hall

They could’ve gutted me

Before I sprang from my bed

So I stayed where I was

Duvet clutched under my chin

Like a scared silent movie comedian

Tell me everything, they said

Everything you know

About the man in the blue parka

I suspected I knew less about him

Than my smartly-suited intruder did

But I was a captive performer

So I told them everything

Spared no details

And I passed them an ashtray

And made them a coffee

And we were sitting at

The chipped formica

Kitchenette table

They asked

‘Did you believe him?’

’No,’ I replied

‘But I wanted to.’

‘Of course you did

We’re all looking for something

To believe in

But my people

Would prefer it

If you didn’t.’

Then they reached into my head

And twisted something

And disappeared like smoke

Leaving me with two cold coffees

Something resembling a hangover

And a gap

But a pall of Marlboro

Hung over my room next morning

And the memory of that cigarette

Closed the gap after a while

I rang in sick

Determined to get some answers

From the man in the blue parka.

The Alternative 3 Man (Continued)

Looking For The Man

Surprisingly

The man in the blue parka

Was not difficult to find

In fact

He was hard to avoid

Seems my mystery intruder

Had stolen a few days

When he tried to nick my memories

And in that time

Some freelance journo had picked up the scent

Of what became known as ‘The Rose Incident’

Now he was all over the local media

Like chocolate round a Malteser

But even though his face was everywhere

From billboard to bus stop

Locating him in the flesh

Was a different matter entirely

No matter, as it turned out

In the centre of town

Rumbelows shop window was full of tellies

And the man in the blue parka’s smile

Was filling every one

In black and white and colour

He was publicising a rally

To be held that weekend

I knew

I had to be there.

After the Event

Did it really happen

Because they swear they have proof?

Is it true

Because you believe it to be true?

Did it really happen

Because it was in the papers?

Is it true

Because someone convinced you?

Did it really happen

Because there were pictures?

Is it true

And not some kind of spoof?

Did it really happen?

Because you saw it with you own eyes

And you know what you saw

Is it true?

No matter what anyone else says

You know what you saw

Before The Event

There were queues down the tiered steps

Patient around the pillared hall

All here to witness

The man in the blue parka

Lifting the lid

Telling his truth

Maybe revealing the rose

Or some other Red Planet flora

There were police, polite but firm

But there was nothing for them to see

The smartly-suited person

Standing in the shade

Of a Corinthian column

Was surprised to see me, I’m sure

Hid it well, feigned nonchalance

When I set them straight

The Marlboros had betrayed them

Negated the weird power they wielded

I left them dumbfounded

Blagged a seat right at the front

Ready for the event

For the curtain to rise

The Alternative 3 Man: The Event

The curtain rose

The one consistent thread

Tying the whole show together

Was this

Everyone in the audience

Experienced something different

Something unexpected

Something, frankly,

Miraculous

The show itself was short

It didn’t matter

It’s not as though we were paying

There was a lot of fake smoke

And no coughing

Which was a miracle in itself

There were lights

And mirrors and stairs

No expense spared

Music thumping like a jogger’s heartbeat

Like blood in the temples

And violin stabs and swirls and whirls and

A drop

And

The man in the blue parka

In silhouette

Arms across the compass

He stepped into his light

And even though the hall was packed

This show was for me

He welcomed me

Related stories from my childhood

From my life

That only I could know

Made me laugh

Made tears flow

And at the end

When I was totally wrung out

Said

It’s time now

Time for us to go

He held out his hand

And without thinking

I did the same

But at the last moment

The fear was too much

I pulled my hand away

And watched agog

As he ascended

Without me

And in the light from the stage

The smartly-dressed person

Was weeping tears of diamonds and gold

The Alternative 3 Man: Epilogue

Everyone experienced something different

One saw a flight of angels, ruby-winged, magnificent

Carry aloft into the stars

The beatific man in the blue parka

Another swore she saw the stage

Crack apart like a cartoon earthquake

And everyone, from the stalls to the gods

Fell screaming into the abyss

Everyone experienced something different

There were little green men, a scourge of vampires,

Saucer-eyed grays probing where they shouldn’t,

Werewolves and banshees, reptilians, zombie Nazis

Even Gef the Talking Mongoose and Mothman appeared

It was a cavalcade of high weirdness and Forteana

Theories abounded in the media:

Hallucinogens in the smoke machines, hypnotism

Weather balloons, leylines,  electromagnetism

That old chestnut, mass hysteria

Or maybe something magical?

Everyone experienced something different

But whatever we understood to be the truth

Behind the climax of the event that night

The man in the blue parka was never seen again

And the city slowly returned

To what passed for normal

And it doesn’t really matter

If his rose did come from Mars

Or it belonged to one of his Grandmas

Anyway, that’s enough chat from me

Can I interest you in a copy of Alternative 3?

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